arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. in his quest for a unique sound, he constantly reinvented himself, creating projects with new aliases and concepts, scraping together studio time, and hustling. even today, moores music sounds ahead of its time.

the visionary from detroit, terrence dixon, is back to 30d records with an exquisite pack of vanguard tastefully built on techno. this fifth chapter of the exoplanets series is powered with two original cuts and a pair of remixes.
the homonymous title track, “digital ladder”, sinks us to a hypnotic state conducted by a dreamy and evocative sequence. the big dasha rush takes over the message and reframes it getting percussive expressiveness and savoir faire on her remix.
b side starts with the second dixon’s proposal, “this is a test”. same artistic tools, different discourse, shape and result. on this track, experimentalism gets us higher with a fanciful cyclic pattern, garnished with sporadic ascensions, that streams on a subtile bassdrum. 30drop takes the relay to carry up the message to his own stylistic universe constructing a fine solid remix.
“digital ladder” is an abstract and immersive trip to some place beyond the consciousness that relies into the core of the vanguard dancefloor. you can’t miss it!

harrison bdp aka harry webber is up next on the stamp edits series with two big hitters! the first, a housed up interpretation of a certain brazilian artist s early 80 s disco floor-filler, while the flip features a more subtle yet just as effective take on an american producers disco smash from the same era. two sure-fire party starters on one 12inch!

elcome to smallville, rhythm of paradise. we are big fans of michele lamacchias music since he released paradise on his debut 12 as rhythm of paradise on cosmic rhythm. this track breathens out everything we love about house music- deepest rhythms and dope production, timeless sounds - and the mighty loon. whenever we played this track since it came to light, this was a highlight of the night. we approached michele to send some love for his music and he send over this ep- 3 tracks plus a shimmering remix from his buddy nicola loporchio aka cosmic garden, who is running the cosmic rhythm label. we are delighted to present these as smallville 53, comes with a full cover art by the one and only stefan marx.

big bomb on the second strictly strictly.

after solemnly closing out the spc-series in 2016, jeroen search hands in his second ep of the year for figure. carrying his signature style, these tunes embody the live-recording feel he is known for, perfectly executed and arranged in clean-cut layers. both tracks on the a-side feature big and beefy beats, their generous sub-range creating ample space for the juxtaposing elements to effectively slice through, whether it be the penetrating bleeps of deduced or the piercing rides on interval. things get bumpy on the flip when the rugged but undeniable groove of steady pulse firmly stands its ground against repeated onslaughts of flailing percussion. the jolty rhythms and tinkling loops of endless circles may seem like it being the odd one out, but unexpectedly merge into an intricate mesh of sounds, making for a most memorable closer to this jam-packed ep.

mindtrip is glad to introduce dold, a huge young talent from the swedish techno scene. known for his first releases on float records and his platform arsenik, ‘shutdown ep showcases a big range of his musical identity. dold takes us into a hypnotic journey with his melodic interpretations, while he moves things faster on the darkest side of this ep, with his driven techno tracks fully inspired by 909 patterns and analog synth jams. we are really happy to welcome such a young and furious spirit on the label, and we do believe his tunes work best if you play them out loud. this is mindtrip!

it s with two kisses and a hearty handshake that bordello a parigi welcome stalwart of electronic music: mr pauli. schooled on the west coast, this pivotal figure has worked extensively with likeminded visionaries to create iconic tracks as the novamen, matzo & pauli and sumerian fleet whilst producing his own unique works on labels like moustache and viewlexx. after such successes pauli returns as a solo producer, delivering to the bordello mansion two tracks of pure class. -at night- is big, bright and brilliant. hooks grip as soon as the needle lands. vintage vocoder lyrics, a particular favourite of this trailblazer, tell a tale of twilight romance while crisp beats snap and notes sail. the flip keeps the fires burning. synthlines are soaked in mediterranean sunshine, an italo disco influence coming to the fore, with lovelorn vocals used to balance this cheer-filled creation. golden sounds from a true pioneer.

originally release in 1978 this fresh new press sounds amazing and will be a welcome addition to the collection of those into seminal jazz funk albums. ‘take a look at yourself’ is a powerhouse jazz funk dancer featuring jackie holiday, who also does a great job of ‘don’t ask my neighbours’. ‘i heard that’ is a rare groove monster cover of quincy’s track, and ‘tea leaves’ and ‘i want to be somebody’ are also big dancers.

jo wallace s house label, f*clr music is proud to release save me from the moscow studio of international dj/producer stan serkin. the north street crew (ashley beedle, darren morris & jo wallace) give a nod towards mr knuckles by adding a big slice of piano action from keyboard supremo, darren morris. the original mix, with its warm trumpet riff, is reminiscent of 80s herb alpert, and stan s mix of save me is an epic, soulful house track. dj support: ron trent, honey dijon, luke solomon, terry farle

a true balearic classic. one of a handful of records that can comfortably boast this title, elkin & nelson’s 1979 classic jibaro sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the white isle in the 1980’s. the colombian brothers javier and leon marin velez brought their own rustic brand of folksy-rock-psychedelia to the listening public in 1974 with their debut lp angeles y demonios on columbia records. the brothers had relocated to spain, snared a major label deal and ran with it. the first of 3 lps it proved a big hit in later years with adventurous dj’s and selectors. a cult record you might say. of course, this lp featured jibaro in all it’s forms, but it is this 1986 reissue 12” promo pressing with its iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. fully sanctioned and legitimately remastered from the original sources and packaged in its original columbia promo sleeve jibaro is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. a true classic, featured here in its long and short versions as per the ’86 release. absolute top-shelf stuff here, essential, must own and classic.

steve moore (zombi) returns with another hypnotizing new score for the acclaimed action/horror film mayhem, starring steven yeun (the walking dead, okja). a veritable portrait of shock and dread across seventy-plus minutes of analog synth tension, steve moore methodically crafts pulsating rhythms and penetrating arpeggios that constrict the listener into a deep sense of aural anxiety. with four soundtracks under his belt, steve moore is quickly becoming one of the most sought out synth composers in the horror realm and mayhem is the ultimate demonstration of his unquestionable mastery of the style.
double vinyl in gatefold sleeve with download code included.

the second release on homage comes from chevals, and once again the vibe is quintessential deep house infused with more than a little soul stew. -see you when i git my heart broken- has funk licks aplenty to keep the party popping, while -please don t- sees that as some kind of challenge to up the ante with even more sassy samples and sizzling strings. -tres racas- finds the chevals getting a little more choppy in the drum department, and then -big man- finishes the ep off with a raucous african atmosphere to set the club alight.

the 1977 elo album back as 40th anniversary double picture vinyl

die 80s pop annual edition beinhaltet die wichtigsten titel der 80er jahre auf 180 gramm vinyl. bei 30 der besten songs des jahrzehnts sind künstler und hits wie wake me up before you go-go (wham!) / footloose (kenny loggins) / kids in america (kim wilde) / girls just want to have fun (cyndi lauper ) / heaven is a place on earth (belinda carlisle ) und viele weitere vertreten. diese zusammenstellung ist exklusiv nur als vinyl-edition erhältlich.

ervin rucker started out as a pianist and composer in the 1950s. after he released his sole single on musette he changed his name to big daddy rucker in the late 60s. at the same time he founded his own gme label on which he released 45s under his own name as well as this one by dede copeland. the price i had to pay is jazzy soul track while the flip you gotta give up some money is an excellent sister funk cut. both cuts can also be found on the tramp records album the soulful side of gme & musette records

in october 2016, members from the afro cuban band compro oro, funk and soul congregation big whoop and electronic duo sue avenue, submitted themselves to the windowless walls of the desolated buildings of the american theatre in brussels (be) to engage in experiment. the resulting nine hours and forty minutes of jams were edited and arranged to the final tracks on this carrier.

wonderwheel is happy to welcome in montreal based producer & don dada poirier for his first release on the label, the be alright ep. moving away from the traditional dancehall, dub and soca sounds he s become known for, poirier delivers a 4 track of afro-house influenced dancefloor firestarters. sowia heads to south east africa with it s floating guitar hooks, big bassline, and vocals in portugese from canadian-moçambican singer samito. ginobili goes into deeper territory with four to the floor drums, heavily chopped percussion, and a hypnotizing distorted mbira line, while camera continues the tropical vibe with a nod to semba with its driving guitar lines, staccato synth lines and thumping drums. antilles trax rounds it out as the extended instrumental version of sowia

im frühjahr veröffentlichte ellen allien ihr siebtes album nost. nun gibt es remixe zu ihrem versatilen techno-trip. der us-amerikaner truncate verwandelt innocence in einen von claps und hi-hat angefeuerten techno-hit. gerd janson feuert rau und serviert einen gut gelaunten big-room-stepper-remix von call me. der new yorker falty dl verwandelt erdmond in ein sensationell entspannt goovendes downbeatfest und die japanische experimentalproduzentin kyoka formt ebenfalls call me in ein abenteuerlich avantgardistisch hüpfendes stück, das intensiv bewegt.

the penultimate release on optimo trax (at least for now) comes from tel aviv’s mighty kalbata. i was already a big fan and was so delighted when he got in touch to see if i would be interested in releasing something by him. unusually for optimo trax this is one track in 3 versions but each version is so different that often i play them all in one dj set. originally there were two versions but as kalbata is a renowned master of dub (check out the documentary online about him recording in jamaica), i gently persuaded him to do a no-holds-barred dub mix too which appears here as enkuan pt 3. a few words about the record from kalbata – i went to ethiopia in the beginning of 2017 to record musicians. the most memorable one was mulugeta teshome who plays the washint flute on this record. it’s a traditional ethiopian flute made out of wood, and mulugeta came to the studio carrying a whole bag of them, each one in a different key. we chose the scale and started the recording session. i ended up taking the tracks a lot further with the three cuts on the record but really it all started that day, in a small studio shack in addis ababa.

big tip for fans of theo, dego, rhythm section, 22a and all things loose.

matilda releases her first vinyl. it is a big occasion. we are pleased to present our artist from japan. happy listening.

4 prime house tracks on clone royal oak by mr millionhands black aka tee mango. a very versatile ep that continues the tradition of the royal oak series. continually breeding new offsprings of the classic well-known 80 s and 90 s styles, all with a strong sound signature of the artist. tee mango leaves the traditional path of 90 s house music and delivers 4 intense tracks all looking for that perfect groove that you just dont want to stop. looping vocals, woozy chords, irresistable laidback basslines, jazzy keys... after hour vibes, peak time heat... this ep got it all. big up mr mango... this is some proper house music!

70er-jahre-perlen aus dem archiv des britischen marktführers für produktionsmusik.
diese doppel-lp aus dem hause bbe ist in erster linie für djs und beataffine produzenten gedacht. doch auch freunde eigentümlich-spezieller und wundervoll-mysteriöser sounds dürften ihre freude an dem vinyl haben. der sampler wurde von den beiden versierten kompilationsspezialisten mr thing und chris read zusammengestellt. er enthält eine außergewöhnliche sammlung von 23 library-stücken, die aus dem gigantischen archiv von cavendish music stammen. das 1937 als boosey & hawkes recorded music library gegründete unternehmen ist marktführer für produktionsmusik in großbritannien und weltweit mit dependenzen vertreten. mr thing und chris read erhielten erstmals 2014 im rahmen eines sampleprojekts zugang zum cavendish-archiv. bei ihren grabungen entdeckten die beiden eine sammlung mit aufnahmen aus den 1970er-jahren, die bis heute nichts von ihrer frische und originalität verloren haben. die schönsten perlen daraus finden sich auf -the library archive- wieder. sie reichen von tagträumerischen scores im stile lalo schifrins bis zu atmosphärischen proto-hip-hop-instrumentals.

the remixs: pointsman – we dont know who he is but he provide a deep big room monster.
tripmastaz - probably the only funky russian you will ever meet. the only russian artist with releases on cocoon, minus, desolat, cadenza. the only russian artist with 4 vinyl labels. hes funky housey remix is the most faithful of the four.
bpmf – schmer label head provides a grimey and noisey big bottom soviet style jam.
steve stoll - nyc acid legend made a hard banging acid tracer.
in 1996 serotonin label heads selway and szostek went to moscow to perform at the invitation of &#1055,&#1058,&#1070,&#1063, magazine. synapse performed at the -waterclub- and met the legendary dj compass vrubell. they went to his -studio- where he had perfected the art of making entire tracks out patterns on the yamaha dx-5. szostek brought a dat of these jams back to nyc and schmer-003 dj rx-5 -a taste for crap- was released as a small run white label in 97. the run sold out and disappeared to be forgotten forever... until 2016 szostek casually mentions its existence to techno uber-nerd nina kraviz who just had to have it for her -fabric 91- cd. so dj rx-5 was back from the ash heap of history and schmer got a new release from him on schmer07. then schmer got the word out far and wide that they d like a remix ep for two of the originals: compass provided stems because like a miracle he still had the patterns after 20 years. heeding the call were pointsman, tripmastaz, steve stoll and schmer s own bpmf. so this is what you get: -a taste for remix-. it will leave your lips wanting more, for sure!

ltd 50 % deal - last copies left ...big with laurent garnier, nic fianculli, danny howells, anja schneider, ben watt, deetron,... hyperxclusive is extremely proud to have been asked by john digweed to assist in the promotion of the next release from his label bedrock records. i am even more delighted because the release is by none other than xclusive client and friend djinxx. most well known for his awesome productions on labels such as delsin and ovum, he is also a superb a&r for his own imprint mezzotinto.

the self-titled 2006 album from pearl jam back on double vinyl, housed in a gatefold sleeve.

if you are wondering what the artist wanted to tell you by choosing this title, we will give you a small hint: it’s a cynical statement on something that for sure every party promoter has experienced at some point. the rest, we will leave up to your imagination… in real life, there’s no mercy – neither is when it comes to the sound of this new snork release by syntax error. the four new tracks with meaningful names are not only a social criticism and another artistic processing of the current development of the techno scene, but also a classic syntax error: rough, tricky and good to groove. each track stands on its own, telling another story. “collateral cosmopolitan” is a straight forward piece with a highly memorable beat talking about the uniformity that is creeping in the waiting lines of more and more techno clubs. “i wear my grandpa’s glasses” presents a totally dodgy sound, which might be a little oldschool and even a little irritating – just like some fashion items you encounter on today’s big city streets. “no fog is no solution” is a tight song that definitely needs some good fog and a harsh strobe. and finally, the last track sounds like a futuristic fairy tale from outer space looking on the world as if it is a “society bathysphere”.

the first ep with mr al kent did so good we just had to make a follow up... just like on the first ep we stick to the formula with a lush mid-tempo philly jam on the a side, over on the b, banging it out with a big disco stomper. together you get a 12inch that combines the best of both worlds one for the warm up / end of the night sessions and another for the peak hours. a seriously good value 12inch release

unsurprisingly, richard galling, does indeed hail from milwaukee, having released disco inspired jams since about 2012. with his stuff getting plays on the likes of beats in space, he got his name out early. his latest offering is this single that features two original tracks and some remixes too. 303? features the eponymous bass machine all over this deep, arpeggio-heavy tech-disco jam, organ swaps the 303 for a classic robin s-style house organ, and prophet adds some big room bass. also included is a prophet version of clear water, a real late 80s, shep pettibone-style, latin house joint. luke solomons body edit, is absolut dancefloor heat !!

nice price deal !!! big with: brothers vibe, jerome sydenham, argy, sasse, karotte, laurent garnier, mr statik, siopis, david keno, oskar offermann, jaxson, matt o brien,

master p’s 1997 album ghetto d back on double vinyl.

after the world applauded sascha funke for his latest album lotos land, he gave away some tunes to friends for remix duties. düsseldorf based tolouse low trax formed twirl into a foggy dark mpc-seducer for romantic nighthawks that love dancing. also australian boy dreems prepared a remix that grooves odd and uncommon. his percussive version of im feiern und feuer is a slow whirlwind, perfect to start and end a great dj night. with tuff city kids a duo formed a remix that is good for big room love affairs. their version of purple hill is a heartfelt melange between trance and house deepness that works on any dance floor. the final edit comes from glasgows junto club, who transformed comola, a tune that they already produced originally with sascha funke, into a longing dark melodic synth stepper. four versions, four hits, four atmospheric dimensions beyond words. tune it loud!

the 2nd album from inxs, originally released in 1981, now back on 180 gram vinyl with download code included.

a first artist release after a big compilation comes from well known argentinian, berlin based artist federico molinari and his inner world of micro house and dance music.

artscore presents one of the key artists behind the modular sonic aspect of techno music: judas. sound and aesthetic before anything else, this is the mark of a rising star and he is quickly becoming a big member of our collective. 12” gold press on b side.

dancefloor alert! restoration records celebrates its ten years of activity with 4 fully-fledged club oriented tracks produced by its stalwarts lucretio and marieu, also known as the analogue cops and xenogears. the marshall is a four hands analogue cops night affair about heavy rhythms and blues, glittering cymbals, fiery breaks, and the art of sampling. lucretios deliver is a classy big room jacking tune fuelled with jumbo balearic chords, dense reverbs and a proto-digital acid line. marieus see ya tomorrow is a raw happy house anthem with a touch of jazz and a relentless drive. finally, the duo darkest moniker xenogears wisely crafted a polyrhythmic techno ground-shaking tune injected with analogue sparkles and pervaded by a steel-sky atmosphere.

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,,,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival – the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

hanna is the soundtrack album to the 2011 british-german thriller film of the same name, directed by joe wright. the film stars saoirse ronan as the title character, a girl raised in the wilderness of northern finland by her father, an ex-cia operative (eric bana), who trains her as an assassin. cate blanchett is a senior cia agent who tries to track down and eliminate the girl and her father.
the original score was composed by the british pioneers of big beat the chemical brothers, who had 6 number 1 albums and 13 top 20 singles in the uk. nme ranked the album at number 54 in their list of the -61 of the greatest film soundtracks-.
the soundtrack of hanna was nominated for multiple awards and eventually won an alliance of women film journalists award in the category -best film music or score- and a los angeles film critics association award for -best music-.
limited first pressing of 1500 numbered copies on transparent red 180 gram vinyl.

ron trent teams up with harry dennis aka the it. remember the it -donnie- which was a big tune harry dennis did with larry heard. now he is back with ron trent on the production for a wicked slice of deeper house!

strut present the first ever new international studio album by one of the all-time great african big bands, orchestre les mangelepa. “last band standing” is out now! comprising congolese musicians who settled in kenya, les mangelepa helped drive the east african evolutionary spur of one of the greatest musical artforms, african rumba, during the 1970s.

next stop soweto vol. 1 - township sounds from the golden age of mbaqanga is the first volume of struts groundbreaking series of south african music, exploring lesser known township jive and mbaqanga 45s. artists include mahotella queens, izintombi zesi manje manje and lucky strike sisters.

for the 9th instalment in dba s dubs series ikonika and big strick square off head to head, following the hyperdub artist s genre-defying distractions lp earlier this year. oral suspension is an instrumental which switches rough-shod between a uk halfstep crunch and a hoop dreams era chicago bounce. on the flip big strick brings his characteristic smooth groove to the table for the remix, which, though laidback, is nevertheless bound to energise the dancers. evading the ubiquitous pigeonholes, ikonika has variously been known for her dubstep innovations, her uk funky experiments on hum and buzz and her post-urban sketches for hyperdub. meanwhile though an interest in techno and specifically the sounds of the midwest have underpinned her work.

nice price deal !!! tumbata returns with this oriental main room tribal dance ttrack by tristan garner this will surely appeal to the likes of roger s and co

nice price deal !!! after his european success with -crush-, chris rockford is using another original big hitter -midnight man- recorded by flash & the pan that took the carts by storm in 1985 and still stands in the forefront of the major classics today. with remix of kim jofferey (stonebridge, chris kaeser) and mike md (coronabros.) rockford has put together the most spectacular package for this autumn

nice price deal !!! flashin electro house remake of black box s big 90s smasher !!

after touring relentlessly following the only by the night album, the followill brothers released come around sundown in 2010, building on their immensely successful formula of alternative rock. this album sounds immense, with big riffs, bellowing vocal excursions, thundering drums – imagine rocking out to this stuff with 50.000 kol fans in a booming stadium.
featuring the hit -radioactive-, come around sundown was the 11th best-selling album in the uk in 2010, certified gold in the us. the album was nominated at the 54th grammy awards for best rock album. rolling stone magazine placed come around sundown at #18 on their list of the best albums of 2010.
pressing on 180 gram audiophile double vinyl, housed in a gatefold sleeve.

nice price deal !!! incl rmxs by malente & adam sky big with shir khan, boris dlugosch, jerry bouthier, malente, le hammond inferno, maral salmassi, ascii.disko, azzido da bass, after an athletic debut lp and an equally sweaty collaboration with adam sky weighing in heavily on the dancefloor, the world domination are building from strength to strength. it was only a matter of time then before luscious urged them to deliver their next punch! f**k machine, a track originally released on the duos debut album >heat<, is a seedy, anthemic floor-filler, combining their trademark electro-glam guitars, stomping drums and risque vocals. this is garage-rock for the noughties!